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| 14 Nov 2025 | |
| Teaching Treasures |
This ancient Greek vase is one of the highlights of our teaching collection. Made in Athens around 500–525 BC, it is taken out of its case for every JP pupil studying Classics and for every primary school group visiting the Treasury to learn about the ancient Greeks.
Each side with two boxers fighting, a judge standing beside them. The upper and lower borders decorated with rows of dots. Below each handle is a white bird, probably a heron, but the paint on these has almost entirely disappeared.
The figures on this skyphos (drinking cup) are identifiable as boxers because of the himantes (leather thongs) wrapped around their hands. These protected the knuckles and reinforced the wrist. The fingers were left free so that the boxer could clench his fist to deliver a blow, and open his hand to ward off blows to the face or catch a punch. This cup clearly shows how the hands of the boxers were sometimes open and sometimes closed. The two sides of the cup appear to show different contests – on one side both figures have a long beard, but on the other one of the fighters has a noticeably shorter beard. This short-bearded boxer is shown at the moment of victory – his grounded opponent turns to the judge and raises a finger to signal defeat. Ancient Greek boxing matches had no rounds, and no time limits, going on until one of the fighters was unable or unwilling to continue.
Sport was a common theme on Greek vases, reinforcing its status as an integral part of social, political, and religious life. According to legend, the games at Olympia were first held in 776 BC, with other games at Delphi, Corinth and Nemea being founded in the early 6th century BC. Athletes travelled from all over the Greek world to compete in running, wrestling, boxing, javelin, discus, long jump, and horse racing. The popularity of sporting scenes on vases reflects the interests of the male citizen class who participated in the symposium. They had the leisure to train in the gymnasium and take part in competitions. Athletic pursuits were also important training for service in the Athenian army, which potentially included all able-bodied male citizens.
A number of other vases by the painter of this cup have been identified, including one in the National Archaeological Museum, Athens (362 cc 795), and in Philadelphia University Art Museum (MS 5481). This painter worked with, or under the influence of, a group of late 6th century painters known to art historians as the ‘Krokotos Workshop’.
Close encounters with objects like this are a unique opportunity for pupils to discover the ancient world, and they help to bring it vividly to life. Many of the Greek vases in Treasury were acquired in the late nineteenth century to be used for teaching, and that objective is still at the heart of how we use the collections today.
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